“Any sorrow can be borne if it can be made into a story,” said Danish author Isak Dinesen (Out of Africa).
Many of my friends are writers. Most of them I know very well. Well enough that when I read some of their work I occasionally recognize autobiographical events, people or places, but these “true” events and such have been fictionalized and told as if they have happened in the lives of the story’s characters. Every author writes from his or her personal experiences, and I believe the more you know about an author the better you can understand that author’s perspective and ideas and what they may be trying to get across to the reader.
In my experience, I’ve never written a story or novel from a preconceived outline or plot diagram. Things change too rapidly, and life may give me another idea that will work better, and the story writes itself like a runaway train. Cities and towns have souls and memories and stories just waiting to be mined.
I am guilty of stealing other’s life experiences as well, and giving them to my characters, changing them up a little. A red-headed male friend once told me about being chased by a rooster every time he stepped foot in his grandparents’ yard. Seems the rooster was after his red hair, and his grandma shouted to that rooster, “Don’t you spur my baby you peckerwood”. That ended up being in the history of my protagonist in a manuscript – the red-headed boy was too easily remembered.
Humor is everywhere. My daughter’s boyfriend was learning to tie a necktie, and the stress he put himself through developed into a short story. He asked me if I knew how to tie a Windsor knot and I said to look up ties in the Encyclopedia (this was in the olden days before Google) and he returned, downtrodden, and told me, “it said ‘see railroad'”.
My husband and I walked around Jackson Square in New Orleans late one evening. Fortune tellers and tarot card readers sat around at tables draped with fabric, candles burning, as they lured customers to their tables for readings. Suddenly a young man rounded the corner and had a python wrapped around his body. We walked a little faster around the Square, the man and python following us for a long while. This experience gave me a short story series.
Sadness and sorrow, as well as shock, are always singed in our memories. In my childhood I remember a little friend drowned in her father’s minnow trough. She was about 5 or 6 years old, as was I. My parents went to the wake and took me with them. I had no idea what had occurred until we arrived at the ramshackle house on the outskirts of Hattiesburg MS and saw people peering into a long wooden box on the dining room table. Children climbed on chairs to have a look. I did not want to miss out on whatever they saw in there so I mounted a chair and looked in and was stunned to see my friend, her little body perfectly still in a pretty pink dress, her lips blue, sleeping in that box. That scene will never leave me. I’ve included the scene in one of my novels.
There are so many scenes from my childhood that I’ve used in numerous places in fiction, hiding them in different places than they occured, most times, or they hide themselves, or take a turn you did not expect. When you are going in one direction and think you know where the characters are headed, they just may surprise you and hop on a freight train!
What are some of the events tattooed in your soul? (I promise I won’t steal it, although I may change it up a bit so you won’t recognize it!)