Category Archives: creative process

How I Learned to Think Diagonally and Sew with My Soul the Gee’s Bend Way

Mary Ann Pettway

Mary Ann Pettway

The long leaf pines swayed in the mountain breeze. The atmosphere inside electric with color, song and humming sewing machines. This past week I attended a 4-day Gee’s Bend Quilting retreat in the beautiful rolling hills of northern Alabama. We were in the midst of two inspiring Gee’s Bend quilters: Mary Ann Pettway and China Pettway.

The Pettways have an interesting way of teaching. Demonstrating, then observing. Showing, then praising. They loved us through the process until we “got it”. The quilting itself was not the Big Thing. The Big Thing was the small voice inside that spoke through our hands as we worked. From time to time the Pettways would break into song – sounds of praise so deep, the voices of the two women reverberated in that room so that anyone would have thought there was a choir of twenty.

basil

Basil ready to slice his strips into angles

There were fifteen quilters. Basil, the only male quilter there, is an art quilter from St. Louis. Arleen brought her Gee’s Bend Quilts book for the ladies to sign. She worked quietly in the corner and produced gorgeous angles in her blocks – obvious that she had studied the style prior to the workshop. Others struggled to let go of all they had learned about quilting to learn a new way of sewing tiny pieces of fabrics together.

“Yes, you’ve got it! You’re quilting the Gee’s Bend way.”

When one of us heard that, we knew we finally understood that we were slicing and dicing our way into a new way of quilting. On the 2nd day, I finally got it. Allow the Spirit to take over in your sewing! Sew with your soul instead of what the world says you should do.  Forget about straight lines. Forget about patterns. Forget about bringing a preconceived notion of what you will make. Let the quilt develop into what it wants to be.

Arleens

“You’ve got it.”

“That’s where the art is,” China Pettway says.

What have you learned to do in a new way? When have you realized that they way you have always done something may not the only way, the best way?

pettwaysI’m sending out a huge Thank You to the Gee’s Bend Quilters and the Alabama Folk School at Camp McDowell!

almost finished

 

gees bend quilts

a few quilts the Pettways brought with them

Advertisements

Jazz Fest is over, now what?

The creative team at Uptown Needle & CraftWorks 
thanks you for subscribing to our newsletter.
YOU’RE INVITED: Don’t forget the Magazine Street Champagne Stroll on Saturday May 13, 5pm-9pm. We will be open!
________________________
The Frannie Baby dress by Children’s Corner has to be one of the cutest baby and toddler dresses ever designed. Summertime COOL! Make it and let Kate monogram it for you!  And, we have a workshop coming up!


______________ 

Get your hands in some dye paste! Make your own stamps and print your own fabric. 2-day workshop the weekend of May 20. 

Calling all knitters! Bring friends! Help us make “knitted knockers” for breast cancer survivors who need prostheses, 3rd Sundays.

May 21, 4pm-6pm.

KID’S FIBER ARTS CAMP
————————————–
We’re with you every step of the way. 
The team at Uptown Needle & CraftWorks thanks you for supporting our funky little shop. 

Emma, Robert, Kate, Hannah, Kit, Meredith, Jennifer, Rebecca and Grace (our shop dog) hope to see you soon and very soon.
 
UPTOWN NEEDLE & CRAFTWORKS
4610 Magazine Street
New Orleans La 70115
504-302-9434

Calling All New Orleans Creatives!

TO LAUGH, LEARN, CONNECT, AND BE EMPOWERED

Over a 12-week period this fall a group of creatives met each Tuesday evening for a couple of hours at Uptown Needle & CraftWorks to discuss and act on Julia Cameron’s book, It’s Never Too Late to Begin Again.  The volume follows the basic formula presented in Cameron’s ever-popular bestselling, The Artist’s Way:  A Spiritual Path to Higher Creativity.  Through a set of exercises including morning pages, artist’s dates, memoir writing, and weekly readings the participants embarked on an exploration of their creative selves that in some cases had lain dormant for years.

At the end of the 12-week period in late November, those present wanted to continue the process and also invite others in New Orleans’ rich creative community to join.  Here were some of the group takeaways from the fall experience:

  • We liked the reflective practices such as morning pages, memoir writing, artist’s dates – and the opportunity and freedom to share (or not share) them in a group.
  • We liked the camaraderie of spirit in going through the process, making friends with other creatives, finding common interests, and acting as an incubator for ideas often bubbling in our heads for a while.
  • While we enjoyed following the pattern and content in Cameron’s book, we wanted a bit more flexibility in going forward and to place a greater emphasis on creative actions.
  • We also envisioned a process where folks could pick and choose those sessions they wished to attend and not feel the need to commit for a 12-week, 12-month or any other set timeframe. Rather, we envisioned participation to be guided based on interest in a particular planned creative area.
  • We wanted input from other creatives who might offer their insights, experience, and passions in the next phase.
  • Some of the creative processes suggested for the spring include making and exploring masks, encaustics, fiber arts, sculpting, headdresses, or anything else in which a group might like to participate.

Mark Your Calendar – Tuesday December 27th, 5:30 – 8:30 pm
600_453826920
To launch our 2017 creative actions:

  • On Tuesday December 27th we will meet at Uptown Needle & CraftWorks from 5:30 – 8:30 pm for a brainstorming session on our next phase.  The get-together will be an opportunity to gather in an informal setting, visit, snack, drink, and most importantly consider the wants and needs for creatives that can be accommodated at the Uptown CraftWorks venue.
  • On the 27th we will also explore and create bullet journals as our first session activity (7:00pm-8:30pm).  This tracking/scheduling process is formally defined on the Bullet Journal website or more informally on Buzzfeed where we learn that Bullet Journals are good for:
  • People who have a million little to-do lists floating around
  • People who like pen and paper to-do lists
  • People who are into goal-setting and habit tracking
  • People who like stationery, journaling, scrapbooking, beautiful pens, etc.
  • People who really love planners
  • People who want to really love planners, or who want to be more organized
  • People who would really like to keep a journal/diary but are having trouble sticking with the habit

We had a discussion of bullet journals in the fall and wanted a return opportunity when we kicked things off this spring. We invite you to join us on Dec. 27th to visit, drink a glass of wine, meet with other creatives, and share your ideas on where this collective experience might go.  Though not required, consider joining us for the bullet journal exercise as well, or just come to visit and share your ideas.

We’ve created an Eventbrite private meetup for the gathering above. If you can’t make it to this event, please email us  (info at uptowncraftworks.com) if you’d like to know about future meetups.

Makers that we dream, plan, and collaborate with are doing some amazing things in New Orleans. Others with latent creative genes are ready to dip their toes in gently swirling creative waters. It is by supporting each other that we unite the head, the heart, and the hands.

In the New Year, let’s be a force for good.

Please forward to your creative friends that you think may have an interest.
Thank you,
Merry Merry and Happy New Year!
Emma & Robert Connolly and the Team

Culture of Lack

My husband Robert and I have worked together in Honduras and Panama. One of the things that impressed us was the resourcefulness of the people in recycling goods. There was very little trash. They used up everything they had. Picked up used nails. Wove baskets from weeds, stitched clothing from scraps. We could not help but think of all that our culture of abundance throws away.

My mother was born in 1915. May father in 1912. Depression era mentality. Culture of lack. My father never threw away anything. My mother used to melt together the leftover small slivers of soap. I have stories.

Today I completed a hand-stitched quilt made of throw-a-way fabric. Small pieces of linen leftover from garments I have sewn. Small lengths of embroidery threads. A small piece of loosely-woven multi-color cotton homespun-type fabric I’ve been hoarding for a long time.

quilt1

front – embroidery and hand stitching

quilt2

back – We are all made of stars

 

 

I have a difficult time throwing away small scraps of fabric. Among other things.

What do you have a difficult time throwing away?

Brain Pickings | An inventory of the meaningful life.

via Brain Pickings | An inventory of the meaningful life..

[I hope you enjoy these as much as I did – I love these “9 Learnings from 9 Years of Brain Pickings” – I believe these are essential for the creative life – Emma]
1. Allow yourself the uncomfortable luxury of changing your mind. Cultivate that capacity for “negative capability.” We live in a culture where one of the greatest social disgraces is not having an opinion, so we often form our “opinions” based on superficial impressions or the borrowed ideas of others, without investing the time and thought that cultivating true conviction necessitates. We then go around asserting these donned opinions and clinging to them as anchors to our own reality. It’s enormously disorienting to simply say, “I don’t know.” But it’s infinitely more rewarding to understand than to be right – even if that means changing your mind about a topic, an ideology, or, above all, yourself.

2. Do nothing for prestige or status or money or approval alone. As Paul Graham observed, “prestige is like a powerful magnet that warps even your beliefs about what you enjoy. It causes you to work not on what you like, but what you’d like to like.” Those extrinsic motivators are fine and can feel life-affirming in the moment, but they ultimately don’t make it thrilling to get up in the morning and gratifying to go to sleep at night – and, in fact, they can often distract and detract from the things that do offer those deeper rewards.

3. Be generous. Be generous with your time and your resources and with giving credit and, especially, with your words. It’s so much easier to be a critic than a celebrator. Always remember there is a human being on the other end of every exchange and behind every cultural artifact being critiqued. To understand and be understood, those are among life’s greatest gifts, and every interaction is an opportunity to exchange them.

4. Build pockets of stillness into your life. Meditate. Go for walks. Ride your bike going nowhere in particular. There is a creative purpose to daydreaming, even to boredom. The best ideas come to us when we stop actively trying to coax the muse into manifesting and let the fragments of experience float around our unconscious mind in order to click into new combinations. Without this essential stage of unconscious processing, the entire flow of the creative process is broken.

Most importantly, sleep. Besides being the greatest creative aphrodisiac, sleep also affects our every waking moment, dictates our social rhythm, and even mediates our negative moods. Be as religious and disciplined about your sleep as you are about your work. We tend to wear our ability to get by on little sleep as some sort of badge of honor that validates our work ethic. But what it really is is a profound failure of self-respect and of priorities. What could possibly be more important than your health and your sanity, from which all else springs?

5. When people tell you who they are, Maya Angelou famously advised, believe them. Just as importantly, however, when people try to tell you who you are, don’t believe them. You are the only custodian of your own integrity, and the assumptions made by those that misunderstand who you are and what you stand for reveal a great deal about them and absolutely nothing about you.

6. Presence is far more intricate and rewarding an art than productivity. Ours is a culture that measures our worth as human beings by our efficiency, our earnings, our ability to perform this or that. The cult of productivity has its place, but worshipping at its altar daily robs us of the very capacity for joy and wonder that makes life worth living – for, as Annie Dillard memorably put it, “how we spend our days is, of course, how we spend our lives.”

7. “Expect anything worthwhile to take a long time.” This is borrowed from the wise and wonderful Debbie Millman, for it’s hard to better capture something so fundamental yet so impatiently overlooked in our culture of immediacy. The myth of the overnight success is just that – a myth – as well as a reminder that our present definition of success needs serious retuning. As I’ve reflected elsewhere, the flower doesn’t go from bud to blossom in one spritely burst and yet, as a culture, we’re disinterested in the tedium of the blossoming. But that’s where all the real magic unfolds in the making of one’s character and destiny.

And here are the two new additions:

8. Seek out what magnifies your spirit. Patti Smith, in discussing William Blake and her creative influences, talks about writers and artists who magnified her spirit – it’s a beautiful phrase and a beautiful notion. Who are the people, ideas, and books that magnify your spirit? Find them, hold on to them, and visit them often. Use them not only as a remedy once spiritual malaise has already infected your vitality but as a vaccine administered while you are healthy to protect your radiance.

9. Don’t be afraid to be an idealist. There is much to be said for our responsibility as creators and consumers of that constant dynamic interaction we call culture – which side of the fault line between catering and creating are we to stand on? The commercial enterprise is conditioning us to believe that the road to success is paved with catering to existing demands – give the people cat GIFs, the narrative goes, because cat GIFs are what the people want. But E.B. White, one of our last great idealists, was eternally right when he asserted half a century ago that the role of the writer is “to lift people up, not lower them down” – a role each of us is called to with increasing urgency, whatever cog we may be in the machinery of society. Supply creates its own demand. Only by consistently supplying it can we hope to increase the demand for the substantive over the superficial – in our individual lives and in the collective dream called culture.


… so from me – What are YOUR learnings from life so far?